What’s The Difference Between The Physiological & Psychological? Nothing. Eat Me.

jeremiah-walton-poetry
Eat them, then watch Jeremiah’s poem, or, maybe watch the poem, then eat them. Regardless of your appetite, for Walton or distraction, there’s no walls separating the physiological & physical.

This poem “I Hate My Body : On Making Love” is the first piece in this “Write The Poem, Record, Upload,” series I’ve been anxious to upload—but that’s the point of this, learning to use “social media publishing” to let go of shame surrounding vulnerabilities, to practice that elusive healing hiding under scabs & over futures (futures yanked full-torque by renditions of the past forgetting the present & wrenching a volatile sensation of aliveness associated w. aliveness) & to slow down into acknowledging hurts while continuing to grow, expand, consume & produce.

Luckily, there’s plenty of anxiety left to spread over following pieces as new spaces for new feelings are made.

jeremiah-walton-video-poem-3
I Hate My Body : On Making Love

All that shit. I’m still in the space between burning myself off the internet

or…..not sure. Yet. To quote a line in the next video to be posted :

“Maybe I should crash my car in Panama, say I did what I could
to sacrifice the scapegoats & hold the ideation accountable—well, at least
until this note smolders w. life—or maybe,”

but that’s not today’s poem. Today’s more… “outside those mornings

that crack open your car w. dawn’s yolk, & you open the door 
& the air sticks up your skin for water, mugs you
awake, & reminds you, ‘aye—ain’t that

your body right there…?'”

**inhales** Okay. Those words aren’t in the poem,
but maybe they’re between the performance & the page. **exhales**

Fuck it. Here it is :

“I HATE MY BODY : ON MAKING LOVE”

Gate’s Pass, Arizona, ~4.9.18

 


 

Shout out to Suza Weise for coming out w. me to film this, & helping hold up the piece in all that wind. Suza’s a dope Tucson artist & practitioner of integrative healing. Dig her love & work on Patreon as she moves towards creating a podcast on vulnerability & healing ❤

& thank you desert stars : shadows : cacti : these shadows’ shadows : those coyote howls : those mountains : all these forms moving thru the imaginative dark & massaging this form w. a silence that allowed these muscles to relax for the first time since I’ve been back in Tucson 

Yeah, & a little pot helped w. the after-care.

“WRITE THE POEM, RECORD, UPLOAD,”

“This poem’s a continuation of the “Write The Poem, Record, Upload” series, a compilation of “first-drafts” recorded & performed to ground cultivating a humility that’s not self-loathing.

The series is posted + archived in a FB photo-album. Add me as a ‘friend‘ (whatever that means to you), or click ‘follow‘ (whatever that means to you) to keep up.

If you’re not down w. FB, another option is to view the series’s on-site “Table of Contents,” & follow the gathering mileage + poems via @RuntRaccoon on IG.

&, I mean, I guess you can also hit me up on all 3… ya know? Show some love to this weird kid who’s shit w. self-promotion! Thanks for the support y’all!

& much gratitude to the folks that have helped me get this far ❤

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An Attempt To Exercise Humility That Doesn’t Confuse Itself w. Self-Loathing

jeremiah walton rest 2
writing process

RECORDING AN EXORCISM

EXPELLING SELF-LOATHING FROM WHAT’S BEEN CONSIDERED HUMILITY

This is the poem that kicked off the “Write The Poem, Upload, Record” series—an exercise in humility & using social media publishing to shed shame, be vulnerable, & learn compassion for the parts of myself I hate.

To unlearn humility as self-loathing & learn it as an active silence, receptive dialogue.

Reactions & red ink are welcome, though that’s not the point of these scribbles & scrapes. You can read up on the series, & its intent, at the FB album used to compile the poems.

Also, add me as a ‘friend’ (whatever that means to you), or click ‘follow’ to keep up w. the posts! This site, while it’ll be regularly updated, is more like a fishing net to bring people in to the community that’s forming over there.

I’m also throwing updates on the series & travels thru @RuntRaccoon on IG

I’m awkward w. that self-promotion shit, so thank ya for bearing thru w. me. Let’s dig into the weird-side back-stage shots of this confused head-space bumbling around the country ❤

“REST WELL”

Tucson Greyhound, AZ, US, 1.22.18

 


“WRITE THE POEM, RECORD, UPLOAD,”

The “Write The Poem, Record, Upload” series is posted + archived in a FB photo-album.  You can add me as a ‘friend‘ (whatever that means to you), or click ‘follow‘ (whatever that means to you) to keep up.

If you’re not down w. FB, another option is to view the series’s on-site “Table of Contents,”

Much gratitude to the folks that have helped me get this far ❤

Gratitude For The Silence Smoke Brought

love who you can as the world burns
Tucson, AZ

THE WATER IN THE FIRE

Each of us wrote our intents down. The intents were held by paper, by our hands, our heads, & we sat still—focusing on the inhale : exhale : inhale : release. We sat silent to try & embody what we intended to burn, what we intended to leave behind & accept.

Here, “love who you can as the world burns” was written & filmed, just outside the cement scrape of Tucson’s city limits. The hill we stood on over-looked miles of saguaro & cholla, & paled in the sun against distant cloud shadows crawling over mountains like the backsides of prayers that didn’t quite make it into the fire they were thrown to, or

maybe like the slow crawl of tears being released after centuries of damming.

A friend’s tobacco they’d grown was placed in a metal bowl. They lit it. When each individual felt they’d personally embodied their intent, they’d toss their paper into the fire. Our intents unified in the  & smoke & ash.

We ate baked baked that morning, & left a small loaf for the desert 

Here’s a good reminder why this body’s back in Tucson; as it’s been murky & lonely & sober (mostly) out here, living outta the car & quietly moving w. the poems to learn to go thru instead of against.

Thank you for inviting me to make space physically to ground myself, & get outta my fucking head for an afternoon ❤

FINAL NOTE before the poem; shout out to Suza Weise for helping film this piece ❤  Suza’s a dope Tucson artist & practitioner of integrative healing—dig her love & work on Patreon as she moves towards creating a podcast on vulnerability & healing 

“love who you can as the world burns

Tucson’s Outskirts, AZ, US, 3.25.18

 

 


“WRITE THE POEM, RECORD, UPLOAD,”

This poem’s a continuation of the “Write The Poem, Record, Upload” series, a compilation of “first-drafts” recorded & performed to ground cultivating a humility that’s not self-loathing.

The series is posted + archived in a FB photo-album. Add me as a ‘friend‘ (whatever that means to you), or click ‘follow‘ (whatever that means to you) to keep up.

If you’re not down w. FB, another option is to view the series’s on-site “Table of Contents,” & follow the gathering mileage + poems via @RuntRaccoon on IG.

&, I mean, I guess you can also hit me up on all 3… ya know? Show some love to this weird kid who’s shit w. self-promotion! Thanks for the support y’all!

& much gratitude to the folks that have helped me get this far ❤

 

 

Stop Shaming People For Wanting To Die

TW : This post & poem discusses suicide (including ideation, attempts, & death), addiction, & self-harm.

jeremiah-walton-birth
“This Is My Body, I Guess,” Veracruz, Mexico

I DON’T KNOW WHAT HEALING FEELS LIKE, BUT IT DEFINITIVELY DOESN’T INVOLVE YOU INTRODUCING YOURSELF INTO THE SITUATION w. A TONGUE LEASHED TO DOGMATIC SYSTEMS OF VALUE

[ NOTE : at the bottom of this post are links to resources relating
to healing, prevention, & communities ]

I’ve been called selfish for attempting to kill myself.

I’ve also been shamed for forms of self-harm our culture does not consider acceptable.

I’ve been shamed as an addict, relating to a variety of drugs & alcohol—though, interestingly enough, if you create something “artsy enough,” people often excuse, entirely-overlook, or rationalize non-prescription drug use as a “normal, necessary part of the creative process & drive.” 

…but if you have a hat out on the sidewalk, asking for change?

“Junky. Lazy. Fuck off.”

Though kindness does show face, & these are strong generalizations, the predatory nature of these insecure cultural hierarchies quivers when something the individual doesn’t want to acknowledge within themselves is externally clear in someone else.

“Over-doses are natural selection.”

Institutionalized standards regarding the medication of trauma creates space for people who have more societally acceptable addictions/coping mechanisms for their pain, such as television series, eating (though, pending on your body processes & gender-presentation, billboards & vultures will gauge how they shame), sex (again, pending—), cigarettes, work, intellectualizing emotions, etc/etc/etc, to distance themselves & look down upon people medicating their pain/traumas w. addictions that are not acceptable, such as heroin, meth, benzos, RCs, stolen scripts, etc/etc/etc.

“People who commit suicide only think of themselves.”

I’ve watched homies shamed for expressing a desire to die by folks they’re close to, or share on how they’ve been shamed for sharing w. others that they’ve been thinking about suicide. Search “suicide shame” on The Icarus Projects’ FB group, & you’ll find swatches of people sharing their stories in a communal space that won’t rip into you for expressing ideation / attempts / desires.

Leave these smaller corners of the internet, & it’s not hard to find people shaming suicide + addiction…

Stop shaming people for wanting to die 

Shame doesn’t help anyone heal  

This poem (& post) is definitively not comprehensive, or asserting itself to be. The predacious aspects of this culture, & the systems of thought it cultivates, targets groups to varying degrees based on their identity, whether it’s race, sexual orientation, documents, religion, or any other expression of a person that doesn’t fit the billboard standards of marketed colonial-american morality.

This poem & post are post-it notes floating on a pond of experiences I can & cannot relate to. The scribbles & scratches here are attempts to take a step w. being vulnerable w. my own shit, & attempt to release some internalized experiences that someone else may benefit from.

“STOP SHAMING PEOPLE FOR WANTING TO DIE”

El Panchan, Chis, MX, 3.18.18

 


RESOURCES REGARDING SUICIDE & HEALING

If you any suggestions for mental health resources to include, please contact me w. “I Deserve Love” in the subject line of your email.

“WRITE THE POEM, RECORD, UPLOAD,”

“This poem’s a continuation of the “Write The Poem, Record, Upload” series, a compilation of “first-drafts” recorded & performed to ground cultivating a humility that’s not self-loathing.

The series is posted + archived in a FB photo-album. Add me as a ‘friend‘ (whatever that means to you), or click ‘follow‘ (whatever that means to you) to keep up.

If you’re not down w. FB, another option is to view the series’s on-site “Table of Contents,” & follow the gathering mileage + poems via @RuntRaccoon on IG.

&, I mean, I guess you can also hit me up on all 3… ya know? Show some love to this weird kid who’s shit w. self-promotion! Thanks for the support y’all!

& much gratitude to the folks that have helped me get this far ❤

jeremiah walton write the poem record upload series
“I deserve love. // You deserve love.”

The Ocean Doesn’t Give A Damn : Keep Writing

jeremiah-walton-reading-poetry

SEEKING PUBLISHING MEDIUMS THAT ARE HEALTHY EXTENSIONS OF THE POEM

This site’s been dormant as an in-active archive of absence for the past couple of years, since about 2015, or so? I’m not sure. I’d reclused into travel & writing without the submission process, any gatekeepers, answering emails (well, outside working Nostrovia! Press), any consistent social media postings… None of that.

I’d spent 16-20 obsessed w. all that shit.

My writing reclused in journals, larger projects, scattered collages, phone notes, quiet readings over wine in front of open ovens, & spontaneous ciphers held down when a stage unexpectedly manifests w. an imagined mic on some rooftop not here. I completely reclused my poems into my travel, folded messily in irl performances, & completely disregarded digital release.

& that’s what I needed then. Not sure if this is what’s needed now,

but we’ll see. This site, this space, beginning w. this piece, is working on catching up w. the Write The Poem, Record, Upload,” a series of “first-drafts” that kicked off in January on FB w. the intent of learning practice a humility that’s not self-loathing.

Here’s one of the first attempts :

“THE PACIFIC EATS WORDS”

Zipolite, Oax., MX, 3.5.18

 


“WRITE THE POEM, RECORD, UPLOAD,”

“This poem’s a continuation of the “Write The Poem, Record, Upload” series, a compilation of “first-drafts” recorded & performed to ground cultivating a humility that’s not self-loathing.

The series is posted + archived in a FB photo-album. Add me as a ‘friend‘ (whatever that means to you), or click ‘follow‘ (whatever that means to you) to keep up.

If you’re not down w. FB, another option is to view the series’s on-site “Table of Contents,” & follow the gathering mileage + poems via @RuntRaccoon on IG.

&, I mean, I guess you can also hit me up on all 3… ya know? Show some love to this weird kid who’s shit w. self-promotion! Thanks for the support y’all!

& much gratitude to the folks that have helped me get this far ❤

“Write The Poem, Record, Upload,” Video Series

 

write the poem series cover
Table of Contents @ bottom of this page

TW : It’s important to mention that these poems deal w. peoples experiences, including drug addiction, over-doses, self-harm, paranoia, & suicide (both ideation + attempts).

WHY GIVE AN AUDIENCE YOUR SCRIBBLES & SCRAPES INSTEAD OF WHAT’S IN STUDIO?

The emotional aspects that came w. departing from Tucson to bumble around Mexico, & then the return up to the desert, is for writings not yet shared.

What’s more immediate is that, thru those stumbles & processes, I loosely began to maintain a project I’d nearly abandoned after it began in January; “Write The Poem, Record, Upload,” a series of poems written, recorded without edits, & uploaded to a FB album that compiles the series.

WHAT’S YOUR INTENT?

Thru recording & uploading videos of unedited poems, & operating within that honest & vulnerable spontaneity, I’m working to create a practice of humility that’s other than self-loathing. In sharing, I hope someone else gets something from these, but the main cycle’s intent is to let go of needing your validation, trust my own creative drive, & express compassion to the parts of myself I hate.

I give hallucinated readers (you) so much power that I’m wandering strung-out editing the midnight stroll. It’s made me afraid to share my poems online, & closes me in w. egotistical giggles of self-criticisms. That’s self-righteous, & exhausting.

The (growing) series can be browsed in its FB photo album, or thru the links/videos listed below in-order of their posting :

“WRITE THE POEM, RECORD, UPLOAD”

TABLE OF CONTENTS

NOTE : Some of these link to FB as the content transfers over to this site. It’ll be noted next to the title if you’ll be leaving jeremiahwalton.com for FB.

Receptive, critical, & emotional reactions are appreciated, either here, or on FB. So is sharing. I’m pretty awkward w. self-promotion, & have no idea what I’m doing.

& if ya dig these lil scribbles & scrapes, follow on soundcloud for upcoming audiochaps + compilations : soundcloud.com/jeremiahwalton

THANK YOU!  

jeremiah walton shoo studio time
studio sessions, January 2018

WHAT ARE YOU TRYING TO SAY?

[ answer coming ]

WHO HAS HELPED YOU SHAPE THIS SPACE?

[ answer coming ]

WHO HAS CARRIED YOU?

[ answer coming ]

WHAT DO YOU CONSIDER A “FIRST-DRAFT?”

[ answer coming ]

IS THERE A SCHEDULE TO EXPECT?

[ answer coming ]

***

“I’m Not A Writer. I Just Feel Shit.”

 

jeremiah walton on the road
from Puebla to Oaxaca, Mexico

ON THE ROAD, NOT PUBLISHING,
& MY SYMPTOMS’ FAVORITE GHOSTS

It’s difficult to maintain any consistency w. publishing when you’re constantly on & off the road, & when off, squeezing extra hours out of sand clenched in that boss’ fist to catch enough cash to reach that next gig, repair the car, that whole, “yo, we got three days to get from Boston to San Francisco” mentality. It caught up to me. Began staking healing on mileage, on the next slow-down.

I burned out. A slump manifested.

& as that slump rose its sunrise spine over a horizon of submissions, social media scheduling, emails demanding, & all that noise that seems to be expected/associated w. “being a writer,” I began to notice how much bullshit I’d surrounded my personal process of writing with. I wouldn’t be deemed a “success” by societal standards, yet I was sweating nervous hurricanes blind to their anxiety to have a lick of that notoriety.

It’s hilarious how that mind-state still resonates. This post feels so pivotal, & important, & part of that is because I’ve been gone long enough that no one’s here to hear.

Importance cultivated in the lack of audience. Like, the performance would still be going on if no one else was there. & that can feel authentic, or sad, hilarious, all of it.

It’s funny how important this feels when there are nuclear bombs to dismantle. 

nyc subway jeremiah walton
2015 NYC Poetry Festival

“HOW DO ANY OF YOU SOCIALIZE SOBER?”

The above ^^title’s^^ a line from a poem I wrote years ago, & still lack answers that can walk a straight line, drive, or deal w. the cops—but I’m thinking that came w. the territory (minus the police) of trying to bury being uncomfortable in the literary communities I craved acceptance from & didn’t feel a part of (or able to be, or know how to be), along w. a general “let’s just intellectualize what’s rolling thru your heart &, w. logic, we’ll figure this shit out,” among other feelings of shame & self-loathing that only gained space to breathe-acknowledged when the heart was numbed safe to the pulse of mirrors staring back at you glazing them w. softer light.

WHAT ARE YOU TRYING TO SAY?

This 19 year-old, narcissistically dependent puddle of self-loathing begged potential stampedes of approval from others’ regarding how my “words fell together,” that they were “real enough,” that folks could, “feel it.”

Then a 20 y/o ego cranked the pressure till it cracked, smoking whatever manifested to write a word, run a press, get out of bed, have sex. It was 2015, & I’d landed in Tucson to kick a show down on 4th Ave, at Cafe Passe, w. a mixed-crew of local titans & talented writers passing thru, my entrance to the city had me feeling high enough on its own.

The folks I’d come from Florida with, my partner at the time & a childhood homie, were living out of a Mongolian Yurt, close to downtown, & a part of a growing community of dirty kids, travelers, & odd-balls coming out to make an extra buck & kick it around the gem show.

Hell, the Yurt’s owned by a poet whose words melt the paper they’re written on, & she let us host readings out of it. We escalated, in crew & range & promotions, till we ended up hosting two bonfire open mics w. eclectic sets ranging from a homie hitting his feature w. a 15 minute freestyle, to travel-punk-acoustic-soul-noise-something, veterans, activists, an eclectic mix of identities & art forms.

The core crew of that time ranged from 16 y.o. suburban virgins to 26 y.o. lieutenants. We made a strange mix, moved into a Condo, & settled into the collapse that some of us saw coming, most of us, especially my rose-tinted glasses, boiling the world w. naive trust.

The following mileage brimmed w. some hella strange gigs, that many literary folks, musicians, etc, wouldn’t even call “shows.” Our first West Coast tour lead us to kicking shoes off in Oakland streets, slugging whiskey like we could bruise the demons hiding in the bottom of the bottle, & set ourselves free from ourselves.

We failed, failed again, & hopped the BART to San Francisco where morning opened hungover in a side-walk ciphers of poems shared among people that became homies fast bc none of us knew how to kick it & get down w. that literary community, even though, comparatively, they were fucking wild.

Or maybe that’s an assumption of mine on their part. A projection of mine I’m casting onto them.

I don’t know.

MILEAGE & INTENT

jeremiah walton death rattle
Death Rattle Writers’ Fest, 2017

There were Greyhound station songs sung to God by a humble Vegas hustlers honoring his parents, his past lovers, his children, cousins, anyone in his life that had shook hands w. St. Peter after catching bullets w. their faith when poverty lines were signed for profit.

Empty parks became stages. Freestyling w. strangers over someone beatboxing under a dead star desert sky bruised purple. Dancing on San Francisco rooftops barefoot in the rain, alone. Crashing someone’s party w. poems they…weren’t particularly expecting (but that was great practice for tomorrow’s Beast Crawl, so thank you for throwing us up in the line-up & tolerating the slurs between syllables.)

There’s a trend here. The way pains expressed. That restless feeling in your legs when the sun starts to set. Kicking rigs outta the way in abandoned Tucson warehouses to stomp circles to snapped banjo strings. Rainbow Gatherings out deep in the White Mountains playing psychedelic solos. Veracruz bed bouncing mosh pits w. only two people & no music & a whole slew of strange experiences I’d call poetic performance that was much more enticing than maintaining a steady online profile, trying to build a “following” (to where?), or any of that noise that comes up when you google “how to publish your poetry.”

I was 15 the first time I searched that. & lil baby Jeremiah took that shit serious.

great canyon poetry
Great Canyon, West Coast Tour 2015

What’s fueling this? Curiosity. Intent? Not entirely certain.

Maybe to strip myself a little more naked, so we both feel less alone?

Why do I want you to fell less alone? Do I have love for you?

How do I give you what I barely afford myself worth?

I lack any good answer to that.

Though, in this tangent, it needs to be acknowledged that there is a romanticization of a past that cost a lot of us more than we were aware we’d been prepped to pay.

While I’ve gained a lot, & grown, thru these experiences, there are people who never made it out of that world, those worlds, these worlds….artist or addict?

One has some words, with a website out, asking for some change.

One’s sitting by the corner, with a hat out, asking for some change.

Unsure. These feedback into each other, & can easily become more static cement than fluid expression.

WHY RE-OPEN THIS SITE?

There’s powerful emotional release in the act of being as vulnerable as you can that I cannot pretend to understand the nuances of. But that potency is what’s brought me here–to this process–of re-modeling this website, & re-releasing poems, regardless of audience or lack-there-of.

The whole writing world is strange to me. I don’t feel like a writer….or a poet….or any of those loaded words.

I just feel shit.

& language, happens to be

how those emotions are channeled,

thru both writing

& conversation.

After the rush

comes the grounding—thru reflection

in either performance,

or listening.

( it gets murkier here…like, when are we performing? what’s considered a performance? who are we performing for? more later—in the poems )

I don’t love writing. I do it. This is coping. This is escape. A compulsive return in the present to a behavior that’s worked in the past to sort shit out….& if escape is running towards….& there’s some strange, nameless gurgle grinding up your spine w. a twisted need to expel whatever the hell this is…

I guess that means these can be acts of healing for my-selves too.

87C58080-49F1-4C4F-AB7B-350EACB26058
our AWP didn’t have any writers, but there was a fancy tub & tequila

…or maybe this an early-twenties lethargic tantrum nit-picking images we use to communicate interests humans take bc that person wants attention themselves.

If it is, well, this circus is going public! & that means letting go, taking responsibility for what’s said, & riding w. what happens.

This first post’s acrobats do feel agitated. A bit on-guard. Romanticizing (therefor objectifying) the road & already building buffers to protect myself from y’all’s many faces. But,

if you stick your ears between the syllables,
under the ramble, “intent”
& “expectations”
are having a dialogue
regarding what one means
to the other.

That brings us to “Write The Poem, Record, Upload.

new-poem
in Veracruz, Mexico